Although restored without great skill by the Ottomans, the Omayyad Mosque still remains alluring due to its majestic
proportions, its splendid golden-background mosaic compositions, and its colored marble paneling which have survived
the ravages of time and men. On entering the mosque by the Bab EI-Barid gate, by a door on the west at the end
of Souk Hamidiyeh (remove your shoes or put on the slippers provided by the management), you will notice the precious
mosaics in the lobby. Subjects are varied, but they exclude the human figure. Foliage, acanthus and also buildings
are represented. The facade of the lobby, on the yard's side, is particularly well preserved, but the most beautiful
combination is under the porch at the left of the entrance: various buildings stand in line along a river in the
shade of big trees. On the cupola of the Treasury, a small building standing at the left of the yard, a panel represents
a palm-tree.
The prayer room, along the yard to the right has been reconstructed according to its original arrangement, but
the decoration is modern. At the bottom left near the entrance, a cupoled edifice contains the head of Saint John
The Baptist, which the Christians revered in a crypt under a chapel.
The Omayyad Mosque has three minarets. The one dominating the yard at the left near the entrance is called the
Brides Minaret and dates back to the Omayyad period, except for the upper part which is modem. The minaret of Jesus,
at the south of the prayer room, at the bottom right (south-eastern angle), is the most famous one. According to
Moslem tradition's, Jesus Christ will return to earth through it to fight the Antichrist, just before the Last
Judgment. As for the third, near the entrance on the Souk Hamidiyeh side, it stands with its slender shape, somewhat
odd, but in-keeping with Egyptian monuments of the Mameluke period. It was erected in the 15th century by Sultan
Qayt Bey. |
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